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Title Details:
Conceptual art. The dematerialisation of art (and then the dematerialisation of -artistic-labour)
Authors: Karaba, Elpida
Papastamou, Valia
Reviewer: Gerogianni, Irini
Description:
Abstract:
The attack on previous art forms. The emergence of conceptual art and the adoption of two great legacies of modernism, readymade and geometric abstraction. The focus is on a revised, linguistic landmark of modernism's self-reflexivity and the pushing of this idea to the point of undermining the possibility of aesthetic autonomy. We examine Lucy Lippard's book Six Years: The Dematerialization of the Art Object from 1966 to 1972, which has been pivotal in the constitution and reception of conceptual art as an archive that utilizes the very tools of emergent art to record practices and write theory. In the third part, drawing on key examples of conceptual art, we discuss the formation of a radically different basis for new critical interventions in the rhetorical and institutional context, which brought about decisive changes in the production and reception of artwork and created new conditions of viewing, distribution, form and institutional critique (to which we will devote a separate chapter later in the book).
Linguistic Editors: Klada, Nektaria
Graphic Editors: Triantafyllakos, George
Type: Chapter
Creation Date: 08-07-2023
Item Details:
License: Attribution - NonCommercial - ShareAlike 4.0 International (CC BY-NC-SA 4.0)
Handle http://hdl.handle.net/11419/10044
Bibliographic Reference: Karaba, E., & Papastamou, V. (2023). Conceptual art. The dematerialisation of art (and then the dematerialisation of -artistic-labour) [Chapter]. In Karaba, E., & Papastamou, V. 2023. Transitions. From Modern to Contemporary Art. Critical Approaches. [Undergraduate textbook]. Kallipos, Open Academic Editions. https://hdl.handle.net/11419/10044
Language: Greek
Is Part of: Transitions. From Modern to Contemporary Art. Critical Approaches.
Publication Origin: Kallipos, Open Academic Editions