Adobe PDF
(2.46 MB)
| Title Details: | |
|
Electronic Music in the United States during the 1950s: Tape Music, CEMC, SFTMC, Computer Music |
|
| Authors: |
Lotis, Theodoros Diamantopoulos, Taxiarchis |
| Description: | |
| Abstract: |
During the 1950s an important development of electronic music took place in the United States using new media. Among these were the first tape composition attempts by Otto Luening and Vladimir Ussachevsky, the subsequent founding of the CEMC (Columbia-Princeton Electronic Music Center) with the addition of the Mark II synthesizer, stand-alone projects such as the Project for Magnetic Tape, the creation of the SFTMC (San Francisco Tape Music Center), as well as the use of computers and the development of programming languages for music (Computer Music).
|
| Linguistic Editors: |
Litoxoidou, Anastasia |
| Graphic Editors: |
Kraia, Argyro |
| Type: |
Chapter |
| Creation Date: | 02-04-2024 |
| Item Details: | |
| License: |
Attribution - NonCommercial - ShareAlike 4.0 International (CC BY-NC-SA 4.0) |
| Handle | http://hdl.handle.net/11419/13009 |
| Bibliographic Reference: | Lotis, T., & Diamantopoulos, T. (2024). Electronic Music in the United States during the 1950s: Tape Music, CEMC, SFTMC, Computer Music [Chapter]. In Lotis, T., & Diamantopoulos, T. 2024. History and Aesthetics of Electronic Music [Undergraduate textbook]. Kallipos, Open Academic Editions. https://hdl.handle.net/11419/13009 |
| Language: |
Greek |
| Is Part of: |
History and Aesthetics of Electronic Music |
| Publication Origin: |
Kallipos, Open Academic Editions |