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| Title Details: | |
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Belle Époque: The prehistory of electronic music – The transition from the 19th to the 20th century and the beginnings of modernity |
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| Authors: |
Lotis, Theodoros Diamantopoulos, Taxiarchis |
| Description: | |
| Abstract: |
The prehistory of electronic music. Some thoughts regarding the notion of beauty in art. Belle Époque. The beginning of the era of modernism in European art (impressionism and neo-impressionistic trends, pointillism, divisionism, fauvism, symbolism, expressionism, Dada and surrealism, cubism). World Expos. Photography, literature, and artistic exoticism. Erik Satie. Claude Debussy.
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| Linguistic Editors: |
Litoxoidou, Anastasia |
| Graphic Editors: |
Kraia, Argyro |
| Type: |
Chapter |
| Creation Date: | 02-04-2024 |
| Item Details: | |
| License: |
Attribution - NonCommercial - ShareAlike 4.0 International (CC BY-NC-SA 4.0) |
| Handle | http://hdl.handle.net/11419/13005 |
| Bibliographic Reference: | Lotis, T., & Diamantopoulos, T. (2024). Belle Époque: The prehistory of electronic music – The transition from the 19th to the 20th century and the beginnings of modernity [Chapter]. In Lotis, T., & Diamantopoulos, T. 2024. History and Aesthetics of Electronic Music [Undergraduate textbook]. Kallipos, Open Academic Editions. https://hdl.handle.net/11419/13005 |
| Language: |
Greek |
| Is Part of: |
History and Aesthetics of Electronic Music |
| Publication Origin: |
Kallipos, Open Academic Editions |