Adobe PDF (15.89 MB)
Title Details:
Middle Byzantine notation (E): Musical explanation
Authors: Alexandrou, Maria
Reviewer: Makris, Efstathios
Description:
Abstract:
The Musical Explanation: Historical Overview: a. Precise notes of Akakios Chalkeopoulos b. Balasis the Priest, explanation of the Nekrosimos Trisagion of the Athenian, manuscript Iviron 1250, fol. 212, circa 1670 (Stathis) c. New Method: explanations by Chourmouzius Chartophylax & Gregory the Protopsaltis Systematic Consideration: a. Positions in the Mega Ison of St. John Koukouzelis b. The position of sliding in the old and new notation c. Examples of explanations in the three genres of chant: in the heirmologic, sticheraric, and papadic melos Conclusions: a. Typology of explanation b. The polysemy of the old notation and the importance of context for its decoding c. The paradigm shift in rhythm notation from the Old to the New Method d. The dynamic evolution of Byzantine parasyntactic notation through the centuries, the relationship between oral and written tradition, and the concept of tradition in liturgical arts Exercises 23–25: To the Divine & Ineffable Beauty, Thearcheio Nevmati, Basileu Ouranie, Oi ta Cherouvim by P. Bereketis.
Linguistic Editors: Klada, Nektaria
Technical Editors: Karakostas, Anastasios
Type: Chapter
Creation Date: 01-04-2017
Item Details:
License: http://creativecommons.org/licenses/by-nc-nd/3.0/gr
Handle http://hdl.handle.net/11419/6498
Bibliographic Reference: Alexandrou, M. (2017). Middle Byzantine notation (E): Musical explanation [Chapter]. In Alexandrou, M. 2017. Paleography of Byzantine Music [Undergraduate textbook]. Kallipos, Open Academic Editions. https://hdl.handle.net/11419/6498
Language: Greek
Is Part of: Paleography of Byzantine Music