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Title Details:
Sturm und Drang: Lessing, Schiller, Goethe
Authors: Tampaki, Anna
Altouva, Alexia
Reviewer: Lalagianni, Vasiliki
Subject: HUMANITIES AND ARTS > ARTS AND LETTERS > PERFORMING ARTS > THEATRE AND PERFORMING ARTS > THEATRE
HUMANITIES AND ARTS > ARTS AND LETTERS > PHILOLOGY > LITERARY FORMS AND GENRES > PROSE > SCRIPTS > PLAY SCRIPTS
Description:
Abstract:
In this chapter, we will analyze the characteristics of the German Sturm und Drang movement (concept of freedom, revolutionary spirit, rejection of bourgeois life, bourgeois beliefs, and moral principles). We will then focus on its key representatives, starting with Lessing and his "Hamburg Dramaturgy," where he presents his views on dramatic art (rejection of correctness and submission to the classical model, seeking a new combinatorial model of multiple "poetics"), and moving on to Schiller, his psychological ideal ("beautiful soul"), and the concept of tragedy as a conflict between duty and inclination. We will complete our analysis with Goethe and his masterpiece "Faust." The chapter will conclude with excerpts from theatrical works ("Miss Sara Sampson," "Mary Stuart," "Faust"), plot analysis, characterization of characters, and reinforcement exercises.
Linguistic Editors: Ntafos, Vaios
Type: Chapter
Creation Date: 2015
Item Details:
License: http://creativecommons.org/licenses/by-nc-nd/3.0/gr
Handle http://hdl.handle.net/11419/2937
Bibliographic Reference: Tampaki, A., & Altouva, A. (2015). Sturm und Drang: Lessing, Schiller, Goethe [Chapter]. In Tampaki, A., Spyridopoulou, M., & Altouva, A. 2015. History and Dramaturgy of European Theatre [Undergraduate textbook]. Kallipos, Open Academic Editions. https://hdl.handle.net/11419/2937
Language: Greek
Is Part of: History and Dramaturgy of European Theatre
Publication Origin: Kallipos, Open Academic Editions