Title Details: | |
Sonata form (exposition) |
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Authors: |
Vouvaris, Petros |
Reviewer: |
Vlagkopoulos, Panagiotis |
Subject: | HUMANITIES AND ARTS > ARTS AND LETTERS > PERFORMING ARTS > MUSIC > MUSICOLOGY > MUSICAL FORMS HUMANITIES AND ARTS > ARTS AND LETTERS > PERFORMING ARTS > MUSIC HUMANITIES AND ARTS > ARTS AND LETTERS > PERFORMING ARTS > MUSICAL STYLES HUMANITIES AND ARTS > ARTS AND LETTERS > PERFORMING ARTS > MUSIC > MUSICOLOGY |
Description: | |
Abstract: |
Chapter 6 is the first of a series of four chapters that focus on sonata form as a regulative framework that guided both the composition and the reception of the large-scale formal narratives of idiomatic Classical instrumental genres, such as the symphony, the quartet, the trio, and the solo and duo sonata. More specifically, it offers an introduction to the sonata theory of Hepokoski & Darcy (2006), focusing in particular on the “action space” of exposition.
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Linguistic Editors: |
Athanasiadou, Kyriaki |
Technical Editors: |
Sidiropoulos, Ioannis |
Type: |
Chapter |
Creation Date: | 2015 |
Item Details: | |
License: |
http://creativecommons.org/licenses/by-nc-sa/3.0/gr |
Handle | http://hdl.handle.net/11419/1311 |
Bibliographic Reference: | Vouvaris, P. (2015). Sonata form (exposition) [Chapter]. In Vouvaris, P. 2015. Introduction to the formal analysis of tonal music [Undergraduate textbook]. Kallipos, Open Academic Editions. https://hdl.handle.net/11419/1311 |
Language: |
Greek |
Is Part of: |
Introduction to the formal analysis of tonal music |
Number of pages |
38 |
Publication Origin: |
Kallipos, Open Academic Editions |