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| Title Details: | |
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Ritornello |
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| Authors: |
Vouvaris, Petros |
| Reviewer: |
Vlagkopoulos, Panagiotis |
| Subject: | HUMANITIES AND ARTS > ARTS AND LETTERS > PERFORMING ARTS > MUSIC > MUSICOLOGY > MUSICAL FORMS HUMANITIES AND ARTS > ARTS AND LETTERS > PERFORMING ARTS > MUSIC HUMANITIES AND ARTS > ARTS AND LETTERS > PERFORMING ARTS > MUSICAL STYLES HUMANITIES AND ARTS > ARTS AND LETTERS > PERFORMING ARTS > MUSIC > MUSICOLOGY |
| Description: | |
| Abstract: |
Chapter 3 examines the ritornello principle as a regulative framework for the organization of musical material in the Baroque musical genres of the concerto and the operatic or oratorio aria. The methodological background adopted (Dreyfus, 1996) proposes a functional approach to the ritornello principle by prioritizing the harmonic and voice-leading parameter over the melodic one.
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| Linguistic Editors: |
Athanasiadou, Kyriaki |
| Technical Editors: |
Sidiropoulos, Ioannis |
| Type: |
Chapter |
| Creation Date: | 2015 |
| Item Details: | |
| License: |
http://creativecommons.org/licenses/by-nc-sa/3.0/gr |
| Handle | http://hdl.handle.net/11419/1308 |
| Bibliographic Reference: | Vouvaris, P. (2015). Ritornello [Chapter]. In Vouvaris, P. 2015. Introduction to the formal analysis of tonal music [Undergraduate textbook]. Kallipos, Open Academic Editions. https://hdl.handle.net/11419/1308 |
| Language: |
Greek |
| Is Part of: |
Introduction to the formal analysis of tonal music |
| Number of pages |
27 |
| Publication Origin: |
Kallipos, Open Academic Editions |