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| Title Details: | |
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Binary form |
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| Authors: |
Vouvaris, Petros |
| Reviewer: |
Vlagkopoulos, Panagiotis |
| Subject: | HUMANITIES AND ARTS > ARTS AND LETTERS > PERFORMING ARTS > MUSIC > MUSICOLOGY > MUSICAL FORMS HUMANITIES AND ARTS > ARTS AND LETTERS > PERFORMING ARTS > MUSIC HUMANITIES AND ARTS > ARTS AND LETTERS > PERFORMING ARTS > MUSICAL STYLES HUMANITIES AND ARTS > ARTS AND LETTERS > PERFORMING ARTS > MUSIC > MUSICOLOGY |
| Description: | |
| Abstract: |
Chapter 2 examines the various types of binary form as pertaining to the dances of the Baroque suite. Particular emphasis is placed on the differences between sectional vs. continuous, symmetrical vs. asymmetrical, and rounded vs. simple binary form. The chapter concludes with a brief discussion of the composite ternary form in Baroque repertoire.
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| Linguistic Editors: |
Athanasiadou, Kyriaki |
| Technical Editors: |
Sidiropoulos, Ioannis |
| Type: |
Chapter |
| Creation Date: | 2015 |
| Item Details: | |
| License: |
http://creativecommons.org/licenses/by-nc-sa/3.0/gr |
| Handle | http://hdl.handle.net/11419/1307 |
| Bibliographic Reference: | Vouvaris, P. (2015). Binary form [Chapter]. In Vouvaris, P. 2015. Introduction to the formal analysis of tonal music [Undergraduate textbook]. Kallipos, Open Academic Editions. https://hdl.handle.net/11419/1307 |
| Language: |
Greek |
| Is Part of: |
Introduction to the formal analysis of tonal music |
| Number of pages |
13 |
| Publication Origin: |
Kallipos, Open Academic Editions |