Title Details: | |
Musique concrete & elektronische musik |
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Authors: |
Lotis, Theodoros Diamantopoulos, Taxiarchis |
Description: | |
Abstract: |
The Chapter presents the concrete music (musique concrète) and the electronic music (elektronische musik) of the 1950s, through the prism of their techniques, methodologies, and aesthetic research (Pierre Schaeffer, Pierre Henry, Karlheinz Stockhausen, Herbert Eimert and others). The Chapter focuses on the adoption of sound sources as the raw material for composition, the first experiments in sound synthesis with sine generators and the use of serial techniques. It also follows the path of important composers such as Edgard Varèse and Iannis Xenakis. Eventually, it examines the differences between concrete and electronic music.
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Linguistic Editors: |
Litoxoidou, Anastasia |
Graphic Editors: |
Kraia, Argyro |
Type: |
Chapter |
Creation Date: | 02-04-2024 |
Item Details: | |
License: |
Attribution - NonCommercial - ShareAlike 4.0 International (CC BY-NC-SA 4.0) |
Handle | http://hdl.handle.net/11419/13008 |
Bibliographic Reference: | Lotis, T., & Diamantopoulos, T. (2024). Musique concrete & elektronische musik [Chapter]. In Lotis, T., & Diamantopoulos, T. 2024. History and Aesthetics of Electronic Music [Undergraduate textbook]. Kallipos, Open Academic Editions. https://hdl.handle.net/11419/13008 |
Language: |
Greek |
Is Part of: |
History and Aesthetics of Electronic Music |
Publication Origin: |
Kallipos, Open Academic Editions |